“The Flat”
Holds Family’s
Hidden Past
Reviewed by Shirrel Rhoades
Like many of you, I’m at the age where older relatives are dying off.
That’s when children and grandchildren must clean out apartments and flats and
houses, sorting through the detritus of an unknown life, boxing up old
clothing, bagging stray papers, trashing the unwanted, keeping the valuable. Or
the memorable.
Possessions come with memories attached. Memories of those who possessed
them. Sometimes memories of those who inherit these items.
In “The Flat” – now playing at the Tropic Cinema – we witness a Jewish
family cleaning out the apartment of a grandmother who has passed away at 98.
What are all these keepsakes? What to make of fur stoles? Magazine articles? Letters?
Old photographs, faded and blurry?
The grandparents lived during the time of Nazis. And many memories are
tied to that terrible era. Photographs depict them immigrating to Palestine in
the 1930s, traveling in the company of acquaintances named von Mildenstein.
“For the first time in my life I have a past,” says the grandson.
However, it’s an uncomfortable past. Adolph Eichmann keeps turning up in
the references. His mother doesn’t want to look into it.
This Israeli film by Arnon Goldfinger documents this excavation into his
family history.
Goldfinger gradually discovers that his
grandparents – Gerda and Kurt Tuchler – had a close personal relationship with
a high Nazi official who had headed the SS office for Jewish affairs. During
Eichmann’s trial, he often mentioned the SS officer who hired him, Baron
Leopold von Mildenstein.
Goldfinger’s grandparents’ friend.
His mother is “amazed” to learn her parents reunited with the von
Mildensteins after the war. After all, her mother’s mother was murdered by the
Nazis. So Hannah Goldfinger reluctantly sets out with her son to learn more
about this pro-Zionist German who worked for Goebbels’ Ministry. And her
parents.
Time Out Tel Aviv called the film “not to be missed” and cited it as
one of the 25 most important art works from around the world for 2011.
I’m not sure I’d go that far, but “The Flat” does
take family genealogy to a whole new level. As for Arnon Goldfinger, it’s a personal
journey into the past. For Jews, it symbolizes the disrupted history of their
families and friends.
srhoades@aol.com
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