Tropic
Sprockets by Ian Brockway
Flight
Finally,
here is a story that allows Denzel Washington the freedom to breathe, express
and not be driven by an action film. "Flight" is the story of pilot
Whip Whitaker (Washington) who always strives to do right even though he is
beset by a few personal demons, namely those that are floating in vodka.When we
first see him, the hot shot Whip is partying horizontally with a flight
attendant, Katerina Marquez (Nadine Valazquez). Since he has a morning flight
he decides to give himself a boost with a line of coke.It makes a strong cup of
coffee.
Cue
music by The Rolling Stones: a repeated auditory symbol of hedonism. Whip is
dressed to kill in smooth dark shades, cocky in the cockpit. Bad weather? No
problem. A storm? Please. Turbulence? Light stuff. Whip chooses to flirt with
another attendant Margaret ( Tamara Tunie).
Then
things get wild.
After
some hair raising turbulence, Whip flies into tranquil air and proceeds to go
into the plane for some easy banter with the queasy passengers. They applaud
him and he goes for a covert screwdriver cocktail. Co-pilot Ken (Brian
Geraghty) takes over. Under a snooze, our hot-wings flyer is jolted awake.
There is severe turbulence and the instruments are not responding. Pandemonium
ensues. What follows is some of the most stressful airplane chaos that I've
ever seen but then again, I'm pathologically afraid of air-travel. The plane
goes into a rapid downward plunge. Whip is the only person with a cool head.
There
is some compelling surreal footage here as the plane plows into a Pentecostal
Baptist ritual: crosses in flames while men in robes take flight, transforming
into makeshift Emergency aides.
Our
hero wakes up, bruised and battered in the hospital but as cocky as ever. After
all, he saved lives by boldness. But part of this self importance is a mask to
shade himself from the guilt of two flight attendants dying in air, one of them
being Katerina. The question of Whip's responsibility is the dramatic thrust.
Is Whip a good pilot despite his on the job drinking? Did he do all he could?
Or was he set up by Fate (or God) to fail his passengers, his crew, and
ultimately the inflated imperviousness
of himself?
Washington
gives a solid turn here with the perfect blend of devil-pilot-rocker
slyness with a directness of logic and
compassion. Whip is both fragile imp and arrogant hero. He is a skilled pilot
and he knows it. Despite some obvious melodrama (the liquor, the ex-wife and
son battle,the attraction to a troubled woman) Denzel makes it all very
believable. We are moved just as much by his near demonic possession as we are
by his yearning to comfort others.
There
is one scene involving a hotel liquor cabinet and a tiny vodka bottle that is
as jolting as "Jaws" albeit kitschy.
John
Goodman steals the show as Whip's glib and fun-loving drug dispensing friend
Harling Mays who gives some refreshing irreverence and has the film's best
lines. He has no qualms asking for recreational addictions of all kinds. You
will laugh out loud. Goodman alone is reason to see this film.
Don
Cheadle also delivers a capable, if somewhat uninspired interpretation of a
NTSB lawyer. Melissa Leo appears as a head investigator, all ice and nerves.
Some
rightful wings are earned by Spielbergian director Robert Zemeckis (Castaway,
Forrest Gump) who mixes his trademark Americana of The Everyman with enough
tension to make it ultimately and intimately watchable, due in no small part to
the skill of Denzel Washington.
In
the end, we might have a bad dad pilot,
trying to make good with some predictable elements, but in Whip Whittaker there
resides a Humanist unsentimentality that soars beyond any traditional trail of tears.
Write
Ian at redtv_2005@yahoo.com
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