Front Row at the Movies
“Florence Foster Jenkins”
Wins Over Her Critics
Reviewed by Shirrel Rhoades
You do not wish to hear Florence Foster
Jenkins sing. That is, unless she’s being portrayed by Meryl Streep in a movie
called (you guessed it) “Florence Foster Jenkins.”
That film is currently playing at Tropic
Cinema.
Nascina Florence Foster was a very real person, a young piano prodigy who
turned to singing after she injured her arm. Dumping her first husband, Dr. Frank Thornton Jenkins, she took up with a British
Shakespearean actor named St. Clair Bayfield. Florence paid for singing lessons, joined New York music circles,
even used her inheritance to fund her own Verdi Club. Not having the greatest
voice, the amateur operatic soprano always performed for private audiences,
safe from reviews by music critics. However, at the age of 76, she yielded to
public demand and made her one and only public appearance, at Carnegie Hall no
less. That meant critics could attend. Uh-oh.
I’ve heard a
recording of the real Florence Foster Jenkins singing the “Queen of
the Night” aria from Mozart’s “The Magic Flute.” Or maybe it was a recording of
a sick cat with hiccups.
But Meryl Streep can play anybody. Even
a frumpy middle-aged woman with little sense of pitch. Streep, on the other
hand, has demonstrated her own vocal talents in movies ranging from “Mama Mia”
to “Ricki and the Flash.”
Hugh Grant steps in as manager/companion
St. Clair Bayfield, a more nuanced performance
than his usual frazzled rom-com roles.
And Simon
Helberg does a nice job as Cosme McMoon, the would-be singer’s accompanist.
You’ll recognize him as Howard from TV’s “The Big Bang Theory.”
While the real Florence
Foster Jenkins didn’t fare well with the critics, Meryl Streep’s “Florence
Foster Jenkins” biopic is doing much better. Rotten Tomatoes, the website that
aggregates the opinions of film critics, gives it an enthusiastic 92%.
srhoades@aol.com
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