An Advance Look at
“Venus and Serena”
With Visiting Filmmaker
Reviewed by Shirrel Rhoades
A few years ago I saw a
wonderful documentary about competing jump rope teams -- one suburban white,
the other inner-city black.
Yes, roping jumping as a competitive
sport.
As the film’s director Stephanie Johnes
points out, “In the last 30 years jump roping has moved off the sidewalks and
into the gym.” It’s no longer a kids’ game.
For “Doubletime,” Stephanie’s camera
followed the training of the Bouncing Bulldogs of Chapel Hill, North Carolina,
and the Double Dutch Forces of Columbia, South Carolina, as they prepared for a
big showdown at New York’s Apollo Theater.
“What I love and admire about kids
who jump rope is their passion and commitment to a little known sport,” she
elaborates. “They are doing what they love and don’t care what other people
think. They love inventing new tricks, practicing with their friends, and
wowing their peers with some fancy new combination.”
Now Stephanie Johnes is back … with a
new sport. Tennis.
As cinematographer on a new documentary
that’s straightforwardly titled “Venus and Serena,” she follows the Williams
sisters as they train, juggle their demanding careers, deal with family issues,
and wrestle with life-threatening illnesses.
Directed by Maiken Baird and Michelle Miller, the film premiered at the Toronto
International Film Festival.
Venus and Serena Williams are indeed sports
phenoms. Trained by their parents Richard Williams and Oracine Price, both
sisters have been ranked as World No. 1 by the Women’s Tennis Association. Venus
is a seven-time Grand Slam title winner (singles), and Serena is a fifteen-time
Grand Slam title winner (singles).
Professional rivals despite being very
close, they have faced each other in eight Grand Slam singles finals. “They
have the sweetest relationship,” observes Stephanie. “They are roommates and
spend a lot of time together.”
This new documentary follows them
during 2011, a year of great adversity for the sisters. Venus struggled with an energy-sapping autoimmune disease while Serena
fought off a bout of pulmonary embolism.
The production crew followed them
to Wimbledon. “Both
sisters were very disappointed with their performance,” notes Stephanie.
“Afterward they shut us out for a while, so they could be together. We couldn’t
help but wonder what they were saying to each other.”
Nonetheless, the camera teams had great access to the sisters. “They were
very generous in letting us follow them around,” says
Stephanie, who was assigned to follow Venus. “Keeping up with them was quite a
challenge. They are constantly on the move, their schedules constantly
fluctuating.”
Stephanie describes filming “Venus and Serena” as one of her “most fun
jobs … they are really nice people.” She and Venus became friends “as much as
you could hope to be with a national celebrity. We still email occasionally.”
But the assignment is over and Stephanie is developing her next
documentary, a film about a big-wave surfer. The transition from “Doubletime”
to “Venus and Serena” was a smooth one. Now on to the next.
Tomorrow, Key West
moviegoers are getting a doubletime treat. The Tropic Cinema will be showing
both films -- “Doubletime” at 10:00 a.m. and “Venus and Serena” at 6:30 p.m. As
part of the Tropic’s Visiting Filmmaker Series, Stephanie Johnes will be on
hand to introduce both documentaries and answer questions from members of the
audience.
“I’m looking forward to
coming down there,” Stephanie told me last week. “The last time I visited Key
West I was twelve.”
And I told her that I’m
looking forward to seeing “Doubletime again, along with this advance screening
of “Venus and Serena.” Watching films with the filmmaker/cinematographer is a
rare treat.
srhoades@aol.com
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