Does Ardor Drown in
“The Deep Blue Sea”?
Reviewed by Shirrel Rhoades
No, dummy, this is not
that shark film with Samuel L. Jackson and LL Cool J. “The Deep Blue Sea” is a
thoughtful, intelligent film by Terence Davies that’s based on a 1952 drama by British playwright
Terence Rattigan.
However,
the film belongs more to Davies than Rattigan.
Throwing
out the play’s structure and much of its dialogue, the director reveals the
inner turmoil of the adulterous Lady Hester Collyer in his own style.
It’s
no coincidence that our character is named Hester, a nod to Nathaniel
Hawthorne’s same-named scarlet lady.
Frustrated
by a passionless marriage, Lady Collyer embarks on an erotic affair with an
ex-Royal Air Force pilot. It’s an intense relationship that tarnishes her
reputation, destroys her marriage, and leads her to despair.
The
film opens with a debris-littered London street (devastation left over from the
Blitz), a scene that might as well be the landscape of her life. Closing the
curtains, plugging the doorjamb with a towel, and feeding coins into a gas
meter, she means to end it all.
What
has brought her to this point? In a word, passion.
“Beware
of passion, Hester,” says an elderly dinner companion. “It always leads to
something ugly.”
“What
would you replace it with?” asks Hester Collyer.
“A
guarded enthusiasm,” replies the dowager. “It’s safer.”
Alas,
as we discover, Lady Collyer does not choose to play it safe, giving herself over
to this scandalous love affair body and soul. The leisurely storyline allows
the circling camera plenty of time to focus on naked, intertwined lovers as the
violin music swells.
Academy
Award-winner Rachel Weisz (“The Constant Gardner”) bravely takes on the
alabaster-skinned persona of Lady Collyer, in what has been called “one of the
greatest roles for an actress in modern theatre.”
Tom Hiddleston (F. Scott Fitzgerald in “Midnight in
Paris”) is cast as Freddie, her “crazily handsome” lover. And Simon Russell
Beale (“My Week with Marilyn”) plays
Lord William, the husband she leaves behind.
“The Deep Blue Sea” can
be seen this week at the Tropic Cinema.
Terence
Rattigan is known for such works as “Separate Tables” and “The Browning
Version.” Being gay but unable to write about it, the playwright often dealt
with “the impact of secrecy and smothered passion on the psyche.”
Terence Davies has
given us a fearless film that underscores Rattigan’s dark despair. Rather than
exploring the murky depths of love, this film is more about the shipwrecks that
can occur on its dangerous shoals.
srhoades@aol.com
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