Tropic Cinema Offers a Blender Filled With Films
Reviewed by Shirrel Rhoades
Toss in a mystery, a couple of dramas, a Western, and some 3D animation, flip a switch, and you’ll have a fusion of films playing this week at the Tropic.
“The Girl on the Train” continues to ride the imaginations of audiences. An alcoholic ex-wife (played by Emily Blunt) spies on her former husband and his new family, but in the process witnesses suspicious goings-on that involve a missing woman. Daily Star tells us, “It’s Blunt’s convincing turn as the sozzled Rachel that keeps us gripped.” And Hollywood.com concludes, “It’s no ‘Gone Girl,’ but it’s not half bad either.”
“Sully” is about the aftermath of Chesley Sullenberger’s landing US Airways Flight 1549 on the Hudson River. Starring a mustachioed Tom Hanks, we learn that it’s not easy being a hero. Washington City Paper says, “Sully is at its best when it’s in full dramatic reenactment mode…” And San Diego Reader puts it, “Hanks’s Sullenberger is by far Clint Eastwood’s most untarnished standard-bearer to date. Not even Nelson Mandela came off looking this good.”
“A Man Called Ove” gives us an angry old man who forms an unlikely friendship with the boisterous people who move in next door. Salt Lake Tribune describes it as a “mix of humor and heartbreak.” And Detroit News says the film “starts out gruff and unlikable … then it opens up and becomes something of an epic about ordinary life, touching, funny and engrossing.”
“Christine” is the true account of the Sarasota newscaster who committed suicide on air. Rebecca Hall stars as the ill-fated Christine. San Francisco Examiner observes, “Hall’s quietly extraordinary performance as a woman disconnected from the world she so desperately wants to glow in makes the movie worth seeing.” And The Young People tells us the film “will truly break your heart as it shows just how hard Chubbuck fought to step back from the brink.”
“The Magnificent Seven” rides again in this remake of the Western classic. This time around, Denzel Washington fills the saddle as the leader of those tough characters out to save a town. Deadline Hollywood Daily advises, “Not nearly as magnificent as the originals it is based on, this Denzel Washington western vehicle still has its moments.” And East Bay Express agrees that “outside of being a tad overproduced, it stands on its own perfectly well.”
“White Girl” tells of a NYC college girl (Homeland’s Morgan Saylor) who falls for a drug dealer. That’s when she learn about the price of love. Chicago Sun-times says, “Frequently difficult to watch, ‘White Girl’ is the powerful feature debut of a filmmaker with original vision and clear talent -- and a movie that proves a lead actress can possess the gift of transformative performance skills.” And Mark Reviews Movies calls it “a generic cautionary tale...”
Seven films that leave you stirred, not shaken.