Corbet’s
Portrayal
Of
“Simon Killer”
Leaves
Us Unsettled
Reviewed
by Shirrel Rhoades
If you were an actor looking for someone to pattern a
creepy character on, where would you turn? Literature? Real people
you’ve heard about? Brady Corbet, star of the unsettling film
“Simon Killer,” looked at both.
He plays Simon, an odd young man who goes off to Paris
to clear his head after a bad breakup. As it turns out, Simon’s is
not a good head to be inside of. He’s aloof, cold, and unfeeling, a
pathological liar. We catch him at it. We have trouble identifying
with the character because we don’t trust him to be honest with us.
Simon goes to a sex club, where he meets a prostitute
named Victoria. Inexplicably, she is attracted to him and they move
in together. She tells him everything about her past -- intimate
details, her miscarriage -- but he withholds details about himself.
Revealing little. A distant character that we voyeuristically watch
but can’t quite figure out.
Maybe we’re a little fearful of understanding him.
The camera follows Simon, always looking over his
shoulder. We watch Simon having sex, but we’re distracted by the
nudity, learning very little about what motivates him. He’s
strange, unnerving. The kaleidoscopic use of colors is meant to
convey Simon’s mental state, his “abstracted
way of seeing the world around him.”
Turns out, the story’s not as important as the
psychological profile. Portuguese director
António Campos
(“Afterschool”) sees
“Simon Killer” -- currently playing at the Tropic Cinema -- as a
film “exploring contemporary male behavior.”
As Corbet tells it, “Simon
Killer” started off as a kernel of an idea that Antonio had -- the
way somebody goes from being a pathological liar to becoming a
full-fledged bad person. “Some things were written, some things
weren’t. We would kind of do these improv rehearsals and then
transcribe whatever was working from those rehearsals onto the page.”
How did Brady Corbet (“Martha
Marcy May Marlene”) do it, play this
bleak, hollow antihero called Simon?
“I treated each scene like its own narrative because I
think his lies are true for him,” the actor confesses.
Some moviegoers have compared the character to Tom
Ripley, the amoral psychopath in Patricia Highsmith’s literary
thrillers.
However, Corbet points in another direction. “We never
discussed Tom Ripley,” he says. “The story was very much inspired
by Georges Simenon’s novels which were stories that would
frequently chronicle the downward spiral of its male protagonists
into a pit of urban decay. We were interested in subverting Noir
genre expectations, as well as the expectations of the coming-of-age
story.”
The real-life model? “We discussed
Joran van der Sloot a great deal in pre-production,” admits Corbet.
“He was the only point-of-reference for us.”
Van der Sloot is the 26-year-old Dutch playboy accused
of killing a young woman in Aruba and another in Peru.
The script of “Simon Killer” starts out with a
Jordan Van Der Sloot quote: “If I had to describe myself as
an animal, it would be a snake. However I want to be a lion and I
lion I will be, one day."
“I think that the character is physiologically
disposed to behave in the way that he does,” observes Corbet. “I
also think that his own narcissism bars him from making intelligent
choices.”
In short, it’s a movie about inner demons.
srhoades@aol.com
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