“Robot and Frank” –
Books and People
Are Not Obsolete
Reviewed by Shirrel Rhoades
In a short story called “I
Sing the Body Electric” acclaimed fantasy writer Ray Bradbury told of children
who get an electric grandmother to take care of them. Now, in this era of aging
baby boomers, we have a turn-it-around movie about an aging ex-con named Frank
who gets a robot to look after him.
However, with this plot
twist, our guy Frank enlists his robotic caregiver to help him pull off one last
jewel heist.
In “Robot & Frank” – currently
playing at the Tropic Cinema – 74-year-old Frank Langella (“Frost/Nixon”) stars
as the old-timer who wants to impress the local librarian with his
Geritol-infused derring-do. Susan Sarandon (“Jeff Who Lives at Home”) is that lovely
librarian. James Marsden (the “X-Men” films) and Liv Tyler (“The Incredible
Hulk”) are the well-meaning children who chip in for dad’s robot rather than
putting him in a home. Jeremy Strong (“The Romantics”) stands out as the
high-tech entrepreneur who becomes the target of Frank’s ire. And Peter Sarsgaard (“An Education”) provides
the voice of Frank’s mechanistic partner in crime, a robot that looks something
like a dwarf-size “Star Wars” Stormtrooper.
The précis here is that in the near future cantankerous
old duffers like Frank are generally annoyed by newfangled technology. A bossy
robot reminding you it’s time for your enema just doesn’t seem much of an
improvement over pretty nurses.
But that’s not what really vexes Frank. He hates the
idea of printed matter becoming obsolete. “What’s the point of a library if you
can’t check out books?” he asks crankily.
The nice librarian named
Jennifer tries to explain that “Since you can get any book, any time, any place
instantly, it’s all about community now.” It’s what she describes as “the
augmented library experience.”
That’s not good enough for
Frank.
As a second-story man, he’s
come to be fond of libraries after two stretches in prison.
So he trains his robot caregiver
to pick locks, case joints, and evade security. Skills that have augmented his
own life of crime. After all, didn’t the overly helpful robot suggest to him, “You
need a project’?
What better project than to
burglarize the home of a wealthy techie who is responsible for the conversion
of the local library from books to digital?
And in the process Frank and
the robot become, well, friends.
First-time director Jake
Schreier and newbie screenwriter Christopher D. Ford are responsible for this
whimsical conceit. Sure, there have been plenty of cute robot movies – “Short
Circuit,” “WALL-E,” “The Iron Giant,” even “Real Steel” – but we have to give
Schreier and Ford credit for taking this one in a fresh direction. Although
quirky and funny, “Robot & Frank” has a serious side as it looks at aging
and Alzheimer’s through a fresh new lens.
But let’s not fail to
acknowledge my late friend Ray Bradbury. In addition to his “I Sing the Body
Electric” (i.e. robot caregivers), we also see homages to “Fahrenheit 451” (i.e.
the obsolescence of paper books) and a view of techies as the enemy (Bradbury
said, “I’m not
afraid of machines, I’m not afraid of the computer, I don’t think the robots
are taking over. I think the men who play
with toys have taken over…”).
As filmmakers, Schreier and
Ford have learned these lessons well.
Ray Bradbury liked to tell
about meeting a carnival performer called Mr. Electro who shouted to him, “Live
forever!”
“I thought that was a
wonderful idea, but how did you do it?” he said.
Well, through your books. Or a
movie.
srhoades@aol.com
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