“Hunger Games”
Is Actually a War Game
Reviewed by Shirrel Rhoades
Kids hunting kids. What
so unusual about that? We did that when I was 12, back in the Boy Scouts,
dividing up into two teams, hiders and seekers, ranging over nighttime
pasturelands and dark, thick woods and steep red gullies. Last kid found was
the winner.
Fun.
Later when I read “Lord
of the Flies,” I thought, my Scout training would have done well in keeping me
safe.
Now that Harry Potter has
run his magical course and vampires are fading into the twilight, a new book
series by Suzanne Collins is getting lots of buzz. It’s a futuristic tale (written
in the first-person present tense) about kids hunting kids. Last one alive is
the winner.
My wife just bought the
first book in the series – “The Hunger Games” – and can’t put the tome down. In
it, a 16-year-old girl named Katniss Everdeen volunteers to take her sister’s
place in the annual Hunger Games, a televised event where kids (“tributes,”
they’re called) fight to the death. Sort of a dystopian “American Idol,” where
the talent is survival in the wild against your friends and peers from the 12
surrounding districts.
Not surprising that it’s
been made into a movie.
“The Hunger Games” is now
reprising its gladiator games at the Tropic Cinema on Eaton Street.
Twenty-two-year-old Jennifer
Lawrence (who was nominated for an Oscar for “Winter’s Bone”) portrays Katniss.
Josh Hutchinson plays Peeta, her male counterpart from District 12, a supposed
love interest. And Liam Hemsworth is cast as Gale, her best friend and hunting
partner for whom she also has feelings.
Think: Team Peeta and
Team Gale in future installments.
Author Suzanne Collins was
a writer for children’s televisions shows on the Nickelodeon and WB channels,
as well as head writer for Scholastic Entertainment’s “Clifford’s Puppy Days.” About
ten years ago she started writing children’s books, in particular “The
Underland Chronicles” series.
Then
came “The Hunger Games.” Collins
says she got the idea from channel surfing on TV, flipping from a reality show
where people competed for a prize to footage of the war in Iraq. The images
began to blur in her mind, and soon she was imaging a futuristic world set in
the ruins of North America.
“The Hunger Games” was
the first book of a trilogy – followed by “Catching Fire” and “Mockingjay.”
They’re published by Scholastic (where I spent five years as a group publisher).
These are the same folks who gave you such popular YA book series as “Sweet
Valley High,” “The Babysitters Club,” “Goosebumps,” and “Harry Potter.”
Scholastic has a habit of catching lightning in a bottle.
Voice
of Youth Advocates identifies the theme of “The Hunger Games” as government
control vs. personal independence. Scholastic, being an educational publishing
company, prefers to compare it to the theme of power and downfall in
Shakespeare’s “Julius Caesar.” Collins herself likens it to the Greek myth of
Theseus and the Minotaur. Take your choice.
Truth
is, “The Hunger Game” is an allegory about war. Even Collins said, “I don’t
write about adolescence. I write about war. For adolescents.”
Having
been traumatized by her father’s service in Viet Nam, the 48-year-old mother of
two believes in educating young people about the realities of war. “If we wait
too long, what kind of expectation can we have?” she said. “We think we’re
sheltering them, but what we’re doing is putting them at a disadvantage.”
Collins
says writing “Wow! Wow! Wubbzy!”
scripts for Nick Jr. was far easier than writing the Hunger Game books. “When
I was working on ‘The Hunger Games’
– there’s not a lot of levity in it – I’d do a Wubbzy script. It’s an enormous
relief to spend some hours in Wuzzleburg, writing an 11-minute episode, where I
know things are going to work out just fine and all the characters will be
alive at the end of the program.”
Not
so with the Hunger Games Trilogy. Kids die. But don’t worry about Katniss and
her two male companions. You can expect them to survive as all three books hit
the silver screen in this new film franchise. After all, the lead actors in
“The Hunger Games” signed three-picture deals.
srhoades@aol.com
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